theater

Shu mnelbos ? Directed by Yehia Jaber with Anjo Rihane

بعد النجاح الكبير للممثلة المتألقة "أنجو ريحان" في مسرحية " مجدرة حمرا "لأكثر من خمسة سنوات ومازالت مستمرة ،يتابع يحيى جابر المؤلف والمخرج تعاونه مع المبدعة أنجو ريحان في مسرحية جديدة و جريئة . " شو منلبس؟" مين بيلبّسنا فكرة او تياب ؟مين بيقرر" شو منلبس" ؟ شو يعني ماشي عالموضة أو دقة قديمة بالحب او بالسياسة او الثورة أو الزواج او اللي مش عاجبه عرينا أو لبسنا ؟.." شو منلبس " مين لبّسنا التهمة؟ مين لقطنا متلبّسين بحب الحياة او الموت . "شو منلبس " مسرحية كوميدية حنونة ولابسة كتير الوان .
  • Théatre Beryte
  • Apr 16 - 08:30 PM
family

Le Périple de Céleste - Bouffons Beirut

Le nouveau spectacle des Bouffons est là! Le Périple de Céleste Les 6-7-12-13-14-20 et 21 avril au théâtre Tournesol - Badaro, à 16:30 Billets en vente à la librairie Antoine à 15, 20, 25, 30, et 35$ À partir de 4 ans Info: 03 849003 Céleste prépare la fête du printemps avec ses amies Line et Laure. Son mari est revenu du front à Noël et, depuis, tout va bien! Mais le terrible Djinn de la guerre reviendra envahir son monde et jeter un terrible sort sur le bel officier, et Céleste va devoir entreprendre un long voyage à la recherche du remède qui se trouve dans la lointaine forêt mystérieuse.
  • Théâtre Tournesol
  • Apr 06 - 04:30 PM
theater

Sayrouna | سيرونا

ما هي الحريّة؟ أنحن مسيّرون أم مخيّرون؟ شخصيات المسرحية الثلاث يتعاملون مع هذا الموضوع بطريقتهم الخاصة، وعبر عدّة إختبارات ستوجههم نحو حقيقة ٍ ما. بعد تلك الاختبارات سيلاحظون اهمية الحرية ويتسألون، ان هم أحرار. مسرحية من الكوميديا السوداء، تجمع ما بين المنطوق وغير المنطوق، تكشف الحقائق المستورة، وتتحدى الواقع بإختبارات غير مسبوقة جريئة و مضحكة.
  • ACT | Le Monnot
  • Apr 11 - 07:30 PM
others

Saj | Experimental Theatrical work with Adham Al Dimashki

صاج: هو عمل مسرحيّ تجريبيّ يجمع بين الكاتب أدهم الدمشقي ووالدتِه شكريّة عزّام في جلسة صاج ومَتّي وسرديّات تصالحيّة في بيتهما في الأشرفيّة - الجعيتاوي. Saj: is an experimental theatrical work that gathers the writer Adham Al-dimashki with his mother Shukriya Azzam in a session of SAJ and Mate in conciliatory narratives at their home in Achrafieh Geitawi. صاج: "يمكن مسرحيّة أو زيارة عزيزة علينا" لـِ : أدهم الدمشقي بالاشتراك مع والدته شكريّة عزّام البطاقة 15$ (30$ بطاقة دعم) تُباع في جميع فروع أنطوان أو أنطوان Online. المكان: محترف أدهم الدّمشقي، الأشرفية، الجعيتاوي، مقابل البنك اللّبناني الفرنسي، الكامب الأبيض، المبنى الثالث، الطابق الأرضي. صورة البوستر: رالف موسى
  • Housse of Adham Al-dimashki
  • Apr 13 - 08:30 PM
workshop

In Time |Workshop with Khouloud Yassine April 16 & 17 - Bipod 2024

“In Time” with Khouloud Yassine Tuesday 16th @ Abroyan Factory/Union Marks (5 PM) Wednesday 17th @ Abroyan Factory/Union Marks (5 PM) Duration: 3 hours About the workshop The workshop aims at developing movement composition and improvisation tools and strategies based on a rhythmic approach, increasing grounded and sequenced movement, and improving sense of control of the body. In a “time awareness frame”, we will work on different elements such as body weight, shape, verticality, partnering, and group rhythmic actions. The main focus is to bring the participants attention to the pulse, subdivisions, accents, and being aware of the musical time in which the movement evolves.
  • Abroyan Factory / Union Marks
  • Apr 16 - 05:00 PM
theater

Karl Marx : The second Coming... Directed by Ralph Al Israwi

كارل ماركس المجيء التاني ... كوميديا مسرحية مش مظاهرة . ملخص : يعود كارل ماركس من الموت لساعةٍ واحدة فقط لزيارة بيروت و مناقشة الأحوال الإقتصادية ، الدينية ، الإجتماعية و السياسية بإطار كوميدي ساخر ، حيث يقوم بنقد ما يحدث في لبنان و العالم عن طريق نقده لنفسه أولاً . لا يفوّت كارل ماركس هذه الفرصة ، و يتحدث عن حياته السابقة ، عائلته ، مشاكله الشخصية ، زوجته ،أولاده و أصدقائه و أفكاره. حيث يتعرف الحاضرون على جانب لا يعرفونه عن ماركس . ملاحظة : لست بحاجة لمعرفة أي معلومة عن كارل ماركس مسبقاً ، للإستمتاع و فهم هذا العمل المسرحي .
  • Studio Laban
  • Apr 17 - 08:30 PM
others

Bipod Opening Ceremony & The People Talk - Bipod 2024

The People Talk offers a unique shared experience of participation and engagement that marks the 20th anniversary of BIPOD, and reflects our everyday priorities in a performative, intimate, and simple way. Local and international guests, from the cultural and social sectors, will share with us and the BIPOD audience, a glimpse of a personal and genuine experience. An intimate 7 minutes statement about ‘what remains from the past and motivates us to continue’. How do we carry this past, how does it affect our presence, and how it leads us into our futures. Guests from various backgrounds and professions in Beirut and beyond - including citizens, artists, actors, activists, cultural professionals, and others - will be given their own seven minutes to address one of three stimulating questions in a format of their preference.
  • Abroyan Factory / Union Marks
  • Apr 18 - 06:30 PM
dance

Today | Laurence Yadi - Cie 7273 - Bipod 2024

Today Thursday 18th @ Abroyan Factory/Union Marks (8:30 PM) Laurence Yadi | Companie 7273 Performance in Beirut made possible with the support of the Swiss Embassy in Lebanon Duration: 35 minutes About the company Laurence Yadi, a French choreographer of mixed heritage, is known for developing the dance style Multi styles FuittFuitt, inspired by Arabic music. In 2003, she co-founded the Company 7273 with Nicolas Cantillon, and their creations have been acclaimed worldwide. Laurence Yadi has been awarded several prizes, including the prestigious Swiss Dance and Choreography Prize in 2011. Today, she continues to exercise her artistic and educational talent internationally, supported by various institutions and organizations. About the performance For the first time, since the creation of Compagnie 7273, dancer and choreographer Laurence Yadi develops a creation alone. Charged with her personal history and her magnetic presence on stage, she invites us to join her in a world that will transcribe a range of emotions kept secret. In this work, the choreographers aim to intertwine two essential aspects of the body: the body as an object and the body as a subject. To dance is to utilize the body as a means of communication; it is to animate it as a dynamic and expressive entity, one that is both psychological and organic. Each movement serves as a vivid and pulsating element through which tensions and nuances flow, transforming the body into a resonant melody. The body becomes a powerful symbol that bears witness, evolving into a political and geo-artistic entity.
  • Abroyan Factory / Union Marks
  • Apr 18 - 08:30 PM
dance

Trama | Roser Lopez Espinoza - Bipod 2024

TRAMA Thursday 18th @ Abroyan Factory/Union Marks (10 PM) Roser López Espinosa Awarded Best Choreography 2019 by XXII Critics Awards Nominated for Best Choreography 2019 by XXV Premis Butaca. Performance in Beirut made possible with the support of the Spanish Embassy in Lebanon and Acción Cultural Española, AC/E through the Programme for the Internationalisation of Spanish Culture (PICE) Duration: 60 min About the company "Step into Roser López Espinosa's captivating world of dance, where precision meets acrobatics, sprinkled with playfulness and humor. With an international presence since 2006, her acclaimed works include 'Lowland', 'The Flock', and 'Trama', which earned her the title of Best Choreography at the XXII Critics Awards. Renowned international companies like Skånes Dansteater, Zagreb Dance Company, MiR Dance Company, and Scottish Dance Theatre have sought her as a guest choreographer. Her enchanting production 'Cometa', tailored for young audiences, has dazzled audiences over 160 times." About the performance Extreme physical precision and attention are a must in this dance and acrobatic performance. TRAMA unfolds like a symphony, showcasing a myriad of diverse voices blending and clashing like notes in a concert. We are not just individuals, but a band, a collective weaving a tapestry of interconnected bodies and relationships. Through this physical intertwining, we create a melodic score of interdependence and shared trust, navigating agreements and disagreements, finding harmony amidst discord, and unraveling complex knots together. Bodies twist and actions synchronize, painting a vivid portrait of collective movement. TRAMA is a musical journey that explores the boundaries of the group, tracing its path and potential drifts.
  • Abroyan Factory / Union Marks
  • Apr 18 - 10:00 PM
others

Dabke Experience | Mounir Malaeb - Bipod 2024

BIPOD aims to continue its legacy and advancement, serving as a dynamic dance 'space' rooted in its community and welcoming its audience to partake in new dance experiences. These diverse encounters offer a fusion of dance forms, artists, and viewers, providing a platform to observe, engage, and participate. For our upcoming Dabke experience evening, we are thrilled to feature Mounir Malaeb, the creative force behind Rajana Veda dance company and a collaborator with Caracalla for many years. Mounir brings a distinctive perspective to dabke, infusing his performances with vibrant energy and captivating dynamism. Join us for a participatory and unforgettable dance evening led by Mounir, where you can immerse yourself in the joy of movement and connection.
  • Abroyan Factory / Union Marks
  • Apr 18 - 11:00 PM
workshop

Workshop with Roser Lopez Espinoza - Bipod 2024

Floorwork and movement research with Roser López Espinosa Friday 19th @ Abroyan Factory/Union Marks (10 AM - 1 PM ) Workshop in Beirut made possible with the support of the Spanish Embassy in Lebanon and Acción Cultural Española, AC/E through the Programme for the Internationalisation of Spanish Culture (PICE) Duration: 3 hours About the workshop This workshop proposes a movement approach from the basis of an articulated and creative body. We will take advantage of the rich movement capacity of the spine as a motor, to search on curves, spirals, twists, ripples and combined undulating movements, paying special attention to the functional use of our anatomy for our maximum movement potential. We will go through floor-work practices with rolls, glides and simple acrobatic movements. We will explore the combination of supports and weight transfers that will progressively unfold from initial subtle moves to shared paths of greater complexity. And we will put into practice the use of different eye ranges, detail, precision and playfulness. We can create a singular and meaningful movement vocabulary when we find our own sources: what moves us from within and how we connect to our physical imagination.
  • Abroyan Factory / Union Marks
  • Apr 19 - 10:00 AM
others

Les Naufragé.es | Tamanoir Immersive Studio - Bipod 2024

Les Naufragé.es Friday 19th @ Abroyan Factory/Union Marks ( 4 PM to 5 PM / 1 session for Families) and 5 pm to 6 pm SECOND SESSION FOR ADULTS) Saturday 20th @ Institut Francais ( 2 PM , 3PM , AND 4PM ) Tamanoir Immersive Studio Performance in Beirut made possible with the support of The Institut Français and in partnership with La Nuit des idées Duration: 45 minutes About the Company Tamanoir Immersive Studio is a creative company based in Paris, founded in 2017 by Rémi Large and Samuel Lepoil to revolutionize the live arts scene with immersive technology. At its core, the vision is to connect people with their bodies and with one another. Following selections at prestigious events like the Venice Biennale, Cannes XR, and the Paris New Image Festival, the team is focused on producing large-scale immersive shows, including projects for the Hong Kong Art Festival and the Paris Opera."Connect and Reconnect" are the guiding principles behind the experiences created by Tamanoir. These experiences incorporate technology, often in subtle ways, to provide participants with a space for profound emotional and sensory exploration. The team has developed a meticulous process to craft experiences that emphasize presence, intimacy, and togetherness. Each experience is co-created with the audience, rigorously tested during development to better understand participant behavior. The team at Tamanoir closely observes how participants engage with every aspect of an experience, continually pushing boundaries. Tamanoir Immersive Studio aspires to develop experiences that reflect not just a single perspective but our collective consciousness. The goal is to introduce more individuals to participatory and transformative experiences, laying the groundwork for creating immersive spaces and public events centered around self-transformation through movement and art. About the Performance "Les Naufragé-es" is a 40-minute self-performance experience for 30 participants that merges immersive sound with a journey into a Butoh-inspired realm of shadows. Through this experience, participants embark on a fictional voyage to another world, drawing inspiration from myths. Guided by an inner voice through spatialized headphones, each participant encounters a unique journey, ultimately realizing how their actions align with those of others. Through subtle gestures and interactions, the group collectively unravels the existence of ghosts. Les Naufragé·es est une auto-performance de 40 minutes pour 30 participant·es qui conjugue son immersif et ambiance lumineuse pour proposer un voyage dans un pays des ombres inspiré du Butoh. Les Naufragé·es propose ainsi une traversée fictive vers un autre monde inspiré par les mythes qui soutiennent le théâtre japonais. les participant·es sont guidé·es par une voix intérieure grâce à un casque audio spatialisé. Cette voix raconte un voyage différent à chaque participant·e, et chacun·e découvre comment les actions des autres complètent les siennes. Autant de petits gestes que leur groupe inventera pour se raconter, ensemble, que les fantômes existent. Cast & Credits Author: Sam Lecoeur Sound design and composition: Jean Le Bellego Lighting design: Paolo Morvan Voice-over: Claire Saumande Production: Rémi Large - Cie Lecoeur - Tamanoir With the support of CNC, the City of Paris, 104 and Anis Gras. www.tamanoir.studio
  • Abroyan Factory / Union Marks
  • Apr 19 - 05:00 PM
theater

Slemet Albo! adapted from the play Le Malade imaginaire by Molière directed by Chady Haber

مسرحية "سلامة قلبو!" مسرح شغل بيت في مسرحية "سلامة قلبو!" 3 عروض فقط مشروع تخرّج من المستوى الثاني عن مسرحية "مريض الوهم" ل "موليير"، 19، 20، 21 نيسان 2024، الساعة 8:30 مساءً ، مسرح DISTRICT 7، شارع سليم بسطرس، الاشرفية، بيروت. سعر البطاقة 15$، تباع في مكتبات أنطوان أو عبر أنطوان : Online للحجز الإتصال على: 71-316405 عن المسرحية "فضّول" شخص حلمو بالحياة "كونسولتو أطبّا معمول على شرفو"! لأنو مهووس بصحّتو، ومآمن إنو منصاب بكلّ الأمراض الموجودة عا وجّ الأرض، واللي ممكن يتخيّلها عقل الإنسان. لدرجة إنو منع كل الناس يفوتوا لعندو عالأوضة، حتى مرتو وبنتو والأطبّا، لأنو بيخاف ينعدى منهن وينصاب بشي مرض جديد. وما سمح إلا لخادمتو "سعدى" تفوت لعندو وتكون صلة الوصل بينو وبين الناس، بس لأنو "الميكروبات والفيروسات والأمراض بيهربوا منها بس يشوفوا خلقتها المقطة"! مسرحية "سلامة قلبو"! إقتباس عن مسرحية "مريض الوهم" لـ "موليير"، وإعدادها تا تصير تتمثّل بشخصيتين إتنين بس، لإثبات أهميّة المسرح الكلاسيكي، وحداثتو، وقدّيش مضمونو بيتطبّق على الإنسان بكلّ زمان ومكان، بقالب كوميدي خفيف، بيعتمد على الكلمة والموقف. إقتباس وإعداد ديمتري ملكي إخراج شادي الهبر تمثيل الياس البيم وسماح البواب مساعد مخرج: ماري بل سيميديان تصميم وتنفيذ الإضاءة: توفيق الصفاوي Props Manager & Stylist: برواز مايا-Broize Maya تصميم غرافيكس: راشيل بو خليل الإعلام وإدارة إنتاج : كريس غفري إنتاج: مسرح شغل بيت
  • District 7 Beirut
  • Apr 19 - 08:00 PM
dance

Tanzanweisungen | Moritz Ostruschnjak - Bipod 2024

Tanzanweisungen Friday 19th @ Sursock Museum (8 PM) Moritz Ostruschnjak Performance in Beirut made possible with the support of the Goethe-Institut Libanon & NPN-Nationales Performance Netz Duration: 45 minutes About the Company In 2020, he was awarded the City of Munich's Dance Promotion Award for his artistic work. Bringing a strong, dynamic, and fresh physicality into the German dance scene and framing it with his own way of political and social sarcasm. Moritz Ostruschnjak is without doubt one of the rising choreographers in Germany today. He developed his interest in contemporary dance through breakdancing. He studied at Iwanson International in Munich and with Maurice Béjart in Lausanne. This was followed by engagements as a dancer at home and abroad. He has been working as a freelance choreographer in Munich since 2013 and has created a total of nine productions of his own, most recently "Rabbit Hole" in 2023. His pieces have been shown at numerous European festivals and have been selected three times for the TANZPLATTFORM DEUTSCHLAND. In addition to his own productions, he also creates commissioned works, including the premiere of "TRAILER PARK" for the Tanzmainz Ensemble in 2023. About the Performance Moritz Ostruschnjak's solo TANZANWEISUNGEN with the ‘furious’ Daniel Conant is a firework of steps, turns and kicks. A restless sequence of diverging elements that overdraw, ironize and counteract each other and in combination lead playfully, yet relentlessly into the abyss. A must watch! Cast & Credits Choreography Moritz Ostruschnjak 
Choreographic Assistence Daniela Bendini
Dance Daniel Conant 
Dramatic adviser Carmen Kovac
Light design Benedikt Zehm 
Costume Daniela Bendini, Moritz Ostruschnjak Management Alexandra Schmidt Touring Pascal Jung PR Simone Lutz A production by Moritz Ostruschnjak. The artist is supported by Réseau Grand Luxe 2019/20 and is a member of Tanztendenz München e. V. www. moritzostruschnjak.com
  • Musée Sursock
  • Apr 19 - 08:00 PM
theater

Pique-Nique mise en scène Julia Kassar

Pique-Nique ٤خطوط التماس مسرحية لريمون جبارة إخراج جوليا قصار April – 20h30 تمثيل جلال الشعار جوليان شعيا فؤاد مراد مايا الخوري مساعدة المخرج لين بواب خرج الوالدين للتجول على خطوط التماس في وسط بيروت لزيارة ابنهما الذي يقاتل، دون أن يهتما بخطر الاختطاف أو إطلاق النار أو القصف. هناك، يلتقيان بمقاتل من الجانب العدو ويصبح أسيرهما. يتحول تعاملهم معه من العداء إلى علاقة صداقة ومحبة، حيث يتشابه الاثنان ولا يريد أحد الحرب. هذه المسرحية، التي استلهمت من "أرابال"، والتي أعيدت صياغتها وإخراجها على يدي الكاتب المسرحي العظيم ريمون جبارة في عام 1999، تدين الحروب وسفاهتها وقتل الأبرياء وجميع أشكال العنف، بلغة قاسية وساخرة وشاعرية في نفس الوقت. الحالات، التي لا تخلو من الفكاهة، تثير في المشاهد دهشة ومشاعر متضاربة بين الضحك والبكاء، الحزن والفرح. إعادة تقديم مسرحية "نزهة على الخطوط الأمامية" في زمن الحرب، ليست إلا تحية لعبقرية كاتب مسرحي أعماله تنغمس في الواقع السخيف والمؤلم للإنسان، فلا خلاص للإنسان بحسب جبارة إلا بالحب والسلام. من بين أقواله الشهيرة: "الولد الذي يرسم طائرًا لا يمكنه قتله عندما يكبر، ولذلك من المستحيل عليه أن يقتل زميله البشري". The parents went out for a walk to the front lines in Downtown Beirut to visit their fighting son, not caring about the dangers of kidnapping, sniping, or bombing. There, they meet a fighter from the enemy side and he becomes their prisoner. His hostility soon turns into a friendly and loving relationship, as the two fighters are alike and no one wants war. This play, inspired by Arabal, which was rewritten and directed by the great playwright Raymond Gebara in 1999, condemns wars, their absurdity, the killing of innocents, and all forms of violence, in a harsh, sarcastic and poetic language at the same time. The situations, which are not devoid of humor, arouse in the viewer amazement and conflicting feelings between laughter and crying, sadness and joy. Re-presenting the play “picnic on the front lines” in times of war, is nothing but a tribute to the genius of a playwright whose works delve into the absurd and painful reality of man, for there is no salvation for man according to Gebara, except with love and peace. Among his famous sayings: “The boy who draws a bird cannot kill it when he grows up, and therefore it is impossible for him to kill his fellow man.”
  • Théâtre Le Monnot
  • Apr 19 - 08:30 PM
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